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THE MORAL STATUS OF THE TELEVISION IMAGE

THE MORAL STATUS OF THE TELEVISION IMAGE

ABSTRACT. The objective of this paper is to emphasize the importance of news use, information processing and cognitive complexity; television narration and visual form: audience processing of television news, understanding the effect of television news, and the unbundling and mobilization of television’s segmental units; and television’s commitment to realism: the increasing homogenisation of news content, evaluating the performance of the news media, and the increasing diversification of the multimedia environment. (pp. 136–145)

 

GEORGE LAZAROIU
lazaroiu@addletonacademicpublishers.com
Institute of Interdisciplinary Studies in
Humanities and Social Sciences, New York
SHU/FJCPR